{"id":135,"date":"2014-12-14T19:34:11","date_gmt":"2014-12-14T19:34:11","guid":{"rendered":"http:\/\/violinfoundation.org\/blog\/?p=135"},"modified":"2014-12-14T19:38:27","modified_gmt":"2014-12-14T19:38:27","slug":"bartoks-44-duos-for-2-violins","status":"publish","type":"post","link":"https:\/\/violinfoundation.org\/blog\/bartoks-44-duos-for-2-violins\/","title":{"rendered":"Bartok’s 44 Duos for 2 Violins"},"content":{"rendered":"

Bartok’s 44 Duos for 2 Violins represents traditional peasant tunes he collected after traveling around the European countryside.
\nHe titled and arranged each duo in a European peasant folk music style. These duos represent rare and various styles of folk music, so Bartok’s 44 Duos are considered a “gem of European folk music.” With our performance, please enjoy the various styles of Bartok’s folk music.<\/p>\n

B\u00e9la Bart\u00f3k: 44 Duos for Two Violins, Sz. 98, Bb 104<\/a><\/h1>\n

Frank Kim & SG Lee<\/a><\/h2>\n

\"BelaBartok1400\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Bartok’s 44 Duos for 2 Violins represents traditional peasant tunes he collected after traveling around the European countryside. He titled and arranged each duo in a European peasant folk music style. These duos represent rare and various styles of folk music, so Bartok’s 44 Duos are considered a “gem of European folk music.” With our […]<\/p>\n","protected":false},"author":1,"featured_media":136,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[25],"class_list":["post-135","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-contemporary-classical-music","tag-bartok"],"_links":{"self":[{"href":"https:\/\/violinfoundation.org\/blog\/wp-json\/wp\/v2\/posts\/135"}],"collection":[{"href":"https:\/\/violinfoundation.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/violinfoundation.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/violinfoundation.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/violinfoundation.org\/blog\/wp-json\/wp\/v2\/comments?post=135"}],"version-history":[{"count":3,"href":"https:\/\/violinfoundation.org\/blog\/wp-json\/wp\/v2\/posts\/135\/revisions"}],"predecessor-version":[{"id":139,"href":"https:\/\/violinfoundation.org\/blog\/wp-json\/wp\/v2\/posts\/135\/revisions\/139"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/violinfoundation.org\/blog\/wp-json\/wp\/v2\/media\/136"}],"wp:attachment":[{"href":"https:\/\/violinfoundation.org\/blog\/wp-json\/wp\/v2\/media?parent=135"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/violinfoundation.org\/blog\/wp-json\/wp\/v2\/categories?post=135"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/violinfoundation.org\/blog\/wp-json\/wp\/v2\/tags?post=135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}